Spot the Designer - Stelian Gagiu / Romania

What did you want to be when you were a child?

I have been a seeker my entire life, always curious about things happening around me, always on the move, always wondering, mixing and testing ideas, concepts. I have never wanted to be something specific. I still do not want this.

 When have you started creating jewelry? How did this passion come about?

It was a sort of predicted accident. I started learning jewelry more than twenty years ago, by accident, when I was searching for a job. Any job. However, it was not pure accident (but rather something predictable), because at that time, I was holding a Masters Degree in Painting. My interest towards arts was clear and undeniable throughout my life. The process of making, anything, is a kind of Art – and making of jewelry is a very interesting and special kind of Art. Two of my biggest interests (technological diversity and creativity) came together. I realized that this is what I wanted to do.

What was your first project or significant piece for you and from what point of view? 

The first piece which was important for me was a bracelet. I made it in collaboration with the artist/engraver Stefan Kelemen in 2007, one year after I had entered the field of jewelry. The bracelet has a simple story, symbolizing a moment when two creative minds came together to make something. As anything within the Arts, it is the energy, idea, and work which we pour into a piece, that makes it significant. This bracelet represented a personal confirmation that I was on the right path.

How do you charge your batteries? What other passions and creative interests do you have?

For many people, my batteries seem infinite – and one of the reasons is because I charge them a lot. Starting with a good cup of coffee, or walking my dog, to taking photographs, hiking in the mountains, or listening to music. I have always liked to explore different genres of music, from avant-garde experimental to classical – and music is a constant of my life. It inspires and accompanies me in my workshop, in my car or at home.

What does the connection between manufacturing tradition and contemporary design mean to you?

Traditional manufacturing is a solid starting point, which gives me skills and technique. Contemporary design means allowing yourself to be inspired by the world around you. They both exist in symbiosis, supporting one another to thrive. If we have just manufacturing tradition, we risk to become obsolete for today’s society. If we have just contemporary design, we risk creating things that do not last, that do not build on the legacy of those who came before us.

Is there a self-portrait piece that speaks most about you?

Anything that would be a self-portrait of mine, would have to contain an exploration, an experiment. This specific piece started with a simple idea to combine three different materials, using just the basic skills. The challenge was to leave the technological shortcuts aside, and seat my skills in the front row.  There was no prior sketch, no exact plan – just going with the flow, adjusting and learning while I was creating. The entire process took me out of the comfort zone, and this aspect is essential for me.

Which material have you not yet used is a temptation and a challenge for you?

Ever since I started making jewelry, I have always wanted to make mokume gane. One day it will happen.

How was the pandemic period for you as a jewelry designer?

That period was a well-deserved break. Some projects of mine were forced to stop, and this offered me more time and clarity to see the things that truly mattered to me. The first three weeks of the pandemic created a good setting for me to wonder, and then to focus on the important aspects. Somehow, that period helped me return to normal.

 How do you see the future of contemporary jewelry?

I believe that contemporary jewelry will take off worldwide. The technological progress, the rise of social media, the need for authenticity and uniqueness: everything seems to create a great milestone for contemporary jewelry. There are more and more dedicated galleries and events, which makes me hopeful about the future, and curious to see how everything will develop.

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